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- The Cartographer of Confidence Returns: Peter Atwater On JUST PRESS RECORD
The Cartographer of Confidence Returns: Peter Atwater On JUST PRESS RECORD
horror movies, non-linear life scripts, and more!
I didn't know Peter Atwater HATES horror movies. I really didn't have a clue. Yet there I was, with this Frazer Rice clip where he's - yeah, talking about horror movies - convinced that Peter needed to hear it. "There's something here that rhymes," I thought. I just needed him to point it out. A little more than I could have known. Apparently (and, obviously).
That's the magic of bringing people together who don't obviously belong in the same conversation. Sometimes the sparks that fly illuminate corners you never knew existed.
If you haven't encountered Peter's confidence map, it's this elegant framework that divides our experience into four quadrants based on certainty and control. But what keeps me coming back isn't the static diagram – it's the chaotic dance between these quadrants that feels so achingly true to life.
Like a broken clock, you'll hear me saying, "It's not a clock. It's not linear," as my favorite feature of his map, and to my delight, you'll see his eyes light up when I tell it to him. "Real life moves us around," he explains, sketching invisible paths in the air. "I use, in the overview of my book, an airplane ride. We like to think that it's linear... but even there, if I was to break it into moment by moment, you would see that they're going all over the place."
As our awareness shifts, so does our location on the map. And sometimes – like in the best plot twists – we jump quadrants in an instant.
So what's the horror connection?
Enter Frazer Rice, drawing these brilliant parallels between wealth management and horror films. Both domains use familiar tropes to create emotional responses. Both require understanding vulnerability and resilience. Both navigate that delicate balance between certainty and control.
Peter, who confessed "real life is scary enough" when it comes to horror movies, immediately recognized the connection: "Every quadrant has a story that is a function of our imagination. The stories in the stress center, where we have no certainty and no control, are dark. They are all oriented around our vulnerability."
This is where horror films live – in that stress center where we feel most exposed. The masked killer, the unstoppable force, the inescapable curse – all tropes that strip away both certainty and control.
To Peter, this creates a triangle of "stories, actions, feelings" that forms the backbone of his work. "If I know one of them, I can deduce the other two," he said, "and that's really useful if I'm dealing with other people. Listen to their stories, because they're revealing so much more than what they're saying."
Next time you're watching a horror movie (unlike Peter, who'll be avoiding them entirely), notice how the filmmaker manipulates your sense of certainty and control. Notice how the best directors don't just keep you permanently terrified, but move you through different quadrants of the confidence map.
Or better yet, pay attention to your own life story. When that project deadline looms or that relationship feels uncertain, where are you on the map? What story are you telling yourself? And how might you shift to a different quadrant?
The entire conversation is like watching two master cartographers compare maps of territories they've explored separately, discovering with delight that their landmarks align in unexpected ways.
If you've ever felt lost in the fog of uncertainty or trapped in stories you can't seem to escape, this episode might just hand you a compass. Because as Peter would say, resilience – not constant confidence – is the real superpower.
Listen for yourself. The map is waiting.