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- Playing With Networking (Weekly Recap August 16, 2025)
Playing With Networking (Weekly Recap August 16, 2025)
When Magic Happens Beyond the Metrics: Finding Transcendence in the Spaces Between Systems
Let's connect some dots from this week's notes...
If you're getting the daily posts and want to switch to just the weekly recap, or vice versa, you can update your subscription preferences anytime. The daily posts dive deep into individual stories and insights, while this weekly format connects the bigger themes and patterns. Choose what works best for your reading rhythm - both paths lead to the same destination of building stronger networks and deeper personal archives.
Sometimes the most transcendent moments happen when a DJ reads the room and throws something completely unexpected into the mix. Matt recalls witnessing Mr. Dibbs drop Black Sabbath's "War Pigs" in the middle of an Atmosphere hip-hop show in early 2000s Northampton - creating an instant, electric connection across musical boundaries that turned a 300-person room into a unified moment of chaos and community. The story illustrates how great art transcends genre, era, and expectation when someone with real curation skills trusts their instincts about what an audience needs, even if they don't know they need it.
Quote from the Personal Archive - as witnessed in that cramped club
"Great art transcends. Great art has an energy all its own. Great art brings people together, even if it includes slam dancing them together, in an act of religious fervor."
In this powerful conversation, hip-hop legend Bill Stephney (who helped launch Def Jam and discovered Chuck D) and writer Lawrence Yeo explore why chasing external validation destroys creativity. Lawrence's journey from Wall Street to the LA beat scene to writing taught him the difference between making and selling - two completely different jobs. Bill's experience managing successful artists revealed that recognition, money, and celebrity rarely align, and you have to choose your focus. Both discovered that internal compass navigation and curiosity - which Lawrence beautifully defines as "gratitude for the unknown" - create more sustainable creative lives than any external scorecard ever could.
Quote from the Personal Archive - Lawrence on measuring growth
"Curiosity is ultimately a form of gratitude. It's like a form of gratitude for the unknown. That you actually don't know everything... But one thing that I think makes creative people somewhat differentiated in that sense is that you're actually thankful that there's more to uncover."
The man who discovered Chuck D in an Adelphi University cafeteria and helped launch Def Jam offers hard-won wisdom about navigating creative careers. Bill's three essential questions for artists - do you want recognition, money, or celebrity? - reveal why most creative dreams fail: people assume all three go together when they usually work against each other. His willingness to say yes to becoming a music supervisor without knowing what that meant led to discovering Toni Braxton and creating multi-million selling soundtracks. Most importantly, his observation that pioneers don't know they're making history shows how authentic action creates lasting impact better than legacy-minded planning ever could.
Quote from the Personal Archive - Bill on the pioneers' paradox
"You know what they always say is - that we had no idea movement was happening. We were just doing this stuff 'cause it was fun, 'cause it was something to do... And things had to change. So they were compelled to act."
Lawrence Yeo's transition from finance to music to writing exemplifies what it means to follow your internal compass over external expectations. His "hundred hour test" - investing massive effort in a single story with zero audience - revealed whether he truly loved the craft itself. His work/life/legacy framework shows how to test creative projects without external validation, embrace curiosity as gratitude for uncertainty, and measure mastery only against your past self. The "cringe test" becomes a feature, not a bug - if you don't feel embarrassed by old work, you're not growing.
ps. GET LAWRENCE’S BOOK (short and sweet, I’m extra inspired by this format)
Quote from the Personal Archive - on the only comparison that matters
"Mastery is the quest to improve yourself - as an end in itself, right? Like, comparisons are not made with other people, but only with prior versions of yourself."
The obsession with engagement metrics is missing the bigger picture. Drawing insights from Liquid Death's Mike Cessario and iHeartMedia's Bob Pittman, this post reveals that 90% of social media users are passive observers who form deeper parasocial relationships than the vocal 10% who comment and like. Radio still reaches 90% of America while Spotify reaches 20%, and people stick with the same two radio stations for decades. The real audience isn't the one making noise - it's the silent majority building genuine loyalty through consistent consumption. For creators, this means optimizing for the watchers, not the commenters.
Quote from the Personal Archive - according to Liquid Death's CEO
"90% of people on social are passive observers who do not engage by clicking like buttons or posting comments. They treat social media the same way they treat their television: they sit back and watch the circus."
Sometimes the mess is the message. Nassim Taleb's insight that "the more rational we become, the more blind we are to our own irrationality" perfectly captured a week where a forgotten Tuesday post led to unexpected inspiration. The comfort of living with productive chaos beats the false security of systems that create dangerous blind spots. When everything appears to add up perfectly, that's often when the biggest disasters strike. Better to expect a bit of mess and find inspiration in the gaps than to trust rational systems that hide their own irrationality.
Quote from the Personal Archive - Nassim Taleb's warning
"The more rational we become, the more blind we are to our own irrationality."
Where Else I Showed Up This Week
Over on Excess Returns, I interviewed Nick Maggiulli about his excellent new book (which Lawrence Yeo blurbed - can’t make that serendipity up!) and we dove deep into his latest thinking on investing and wealth building. Been looking forward to talking to Nick for a while, so this was exciting to do.
Plus, Bogumil Baranowski and I put together something special - a Chris Mayer mashup episode that condenses three years of interviews into one hour of the best insights and stories. It's like a greatest hits album but for investment conversations. Both shows reminded me how much good material gets created when you just keep showing up consistently (hello, silent majority theme from this week).
Do visit or revisit this conversation I had with Chris Mayer and Anne-Laure Le Cunff from earlier this year too (not in these clips) - my head keeps going back to it:
I also had the honor of indirectly inspiring Ken Cranstone's beautiful piece about Desert Island Discs and the power of music to connect us across generations. His story about asking family members to gift him albums with personal notes will make you cry in the best way - it's about building the greatest collection of records anyone can have, not from your eight favorite albums, but from the stories others share with you through theirs.
Personal Archive Prompts
What moment of unexpected transcendence have you experienced when someone mixed two worlds that shouldn't have gone together?
WHO ARE THE SILENT SUPPORTERS in your life or work that you've been overlooking while chasing the vocal minority?
What project could you test with "zero external validation" to discover if you're truly drawn to the work itself?
HOW CAN YOU REFRAME AN AREA OF UNCERTAINTY as an opportunity for grateful exploration?
What "cringe" from looking at your past work actually represents your most meaningful growth?
Of recognition, money, or celebrity - which one currently drives most of your professional decisions?
WHAT ARE YOU DOING RIGHT NOW simply because it feels necessary or fun, without thinking about its historical significance?
As always, I did my part, now it's your turn to write some reflections in your own Personal Archive.
(then, be sure to let me know where you're keeping it, I'm in search of the others too)
ps. Claude helped me organize and synthesize these thoughts from the week's posts. If you are curious how I use AI, read this post: Did AI Do That: Personal Rules