Playing With Networking (Weekly Recap - March 7, 2026)

If you prefer to receive these recaps weekly instead of daily posts, you can manage your subscription preferences right by viewing this email on the web. Look for your profile icon in the top right of the browser, and you can update your settings from daily to weekly (and vice versa) there. However I can get you the full narrative arc without it feeling cluttered - I'm just happy you're here!

Let's connect some dots from this week's notes...

The real work happens in the quiet. In the beige cinderblock practice rooms where the only thing to do is practice or leave. In the moments before you share anything with the world, before ecosystems and teams and platforms matter at all - there's just you and the thing you're trying to get better at.

The “chew” of the week in hindsight looks like this: internal work doesn't stay internal for long - because it builds something that wants to move out into the world. And when it does, however long it takes to coil up and explode, then and only then does everything start to change. This week explored the arc from solitary mastery through creative expression to the very real ecosystems - human and institutional - that help meaningful work actually land.

The magic of a great piece of art isn't that it's final - but in a way that it's infinitely reinterpretable. Tiana Major9 took Mobb Deep's mature-beyond-years warning about fake thugs and turned it into a love song, and somehow the core truth held. What matters is how different artists can recognize something timeless in the same bones and make it speak to entirely different moments in human experience. Erykah Badu did it too, shifting the track toward adolescent longing and unprocessed emotion. The sparseness in those original Mobb Deep beats left room for melody, and that's exactly why they're still getting flipped decades later - they contain multitudes.

Quote from the Personal Archive - on how the human experience doesn't change, just how we process it

"The human behaviors and emotions aren't new. How we process them evolves. It's exciting when somebody flips a familiar idea and turns it into a new piece of art."

There's an attention market happening inside you right now, and understanding it is the difference between real improvement and endless distraction. Practice is the internal game - you sitting alone, rigging your environment so that the only option is to work or leave, accumulating internal status points with yourself. Performance is the external game - sharing what you've built and letting others weigh in. Most of us conflate them, which is why we freeze. But you really can't have one without the other.

Quote from the Personal Archive - on attention as your most valuable asset

"Your attention is your most valuable asset. Your ability to practice is representative of your control over your attention. Your ability to perform what you've practiced is all you have to hold the attention of others."

You can create something meaningful alone in your bedroom. But if you want that work to actually move in the world, you need to understand the ecosystem - and it's not some invisible force that happens to you. It's visible if you know where to look. Trevor McFedries frames celebrity as a team sport where only the players connected to the biggest names capture the value, which means there's a whole apparatus of managers, platforms, networks, capital, and PR that's always there, waiting.

Quote from the Personal Archive - on punk rock economics running through everything

"At all the levels, listening to Trevor makes me feel like I'm putting bands together again... it really makes me feel like it's punk rock economics, all the way down, and the most important thing I can do is not forget it and keep reminding my friends that it still plays."

Morgan Ranstrom lives the intersection most of us only talk about - serious financial planner and active musician, refusing to compartmentalize different parts of yourself. What struck me most in this episode is how cleanly he separated practice from performance (see the prior post!). He wrote books, they didn't sell in huge numbers, and he kept writing anyway. Because the practice is the point. The performance is icing. And once you detach your pride from self-promotion, something shifts.

Quote from the Personal Archive - on choosing your own measurement system

"In terms of music, if you can't play bigger gigs or make bigger and better albums, it's like you kind of wanna stop... But now all that pride is gone. I just like writing songs. I like playing songs with other good musicians. And I like playing songs with other good musicians in front of people. It could be one person, I don't care."

Michael Perry left nursing to make $6.25 an hour as a proofreader, which makes zero sense on paper until you understand what he was actually choosing - the headspace to write, and the honesty to say so. Instead of manufacturing some corporate narrative about his five-year plan, he told the truth: "I'll give you two weeks' notice because that's how much notice I'll give." And they hired him. This is one of a million details in his life story which, candidly, I may have found a new role model in this Intentional Investor profile.

Quote from the Personal Archive - on boring persistence as the real measure

"Ten years go by and one day you look down and go - wait a minute. You're still here, you wrote another one? I joke about it sometimes and say my secret to success is I'm too dumb to know when to quit. But truly it just is what's next."

This one clarified something I've been feeling for years but couldn't quite articulate. Social media is plural - breadth, many people, lots of competition for attention, stays hollow because it's built for scale. Social medium is singular - depth, one person at a time, tedious and slow but actually meaningful. Then there's the parasocial layer, one-to-many where attention only flows one direction (hello, podcasts and YouTube). The mistake people make is expecting the wrong outcome from each format.

Quote from the Personal Archive - on understanding what each format can actually offer

"There's social media, and then there's a social medium, and they are so not the same thing... The only bug is in users who expect the wrong outcome. That's the loneliness epidemic in a nutshell for you."

War broke out on the weekend, markets seized up, and the traditional playbook said safe assets should catch a bid. But something’s shifted and we need to talk about how the 10-year Treasury yield went up when it should have gone down - and, most importantly perhaps, why every portfolio manager I talked to noticed. My latest Zeitgeist for Panoptica.

Quote from the Personal Archive - on how the safety hierarchy has fundamentally reordered

"The 'safety asset' hierarchy has fundamentally reordered. It was there in 2020, it hiccupped in 2022, and in 2026 we're at the beginning of a newfound awareness of just how reordered that hierarchy has become."

Where Else I Showed Up This Week

Jack and I did our Market Monthly Recap for Excess Returns with a heavyweight lineup of guests- Brent Kochuba, Meb Faber, Ben Hunt, and Rupert Mitchell - who all came through to dig into sources of forward volatility and risk. We recorded this before the Iran situation escalated, but I can say with confidence, that makes this conversation more valuable. We dug into what’s genuinely uncertain versus what we think we know, and the Iran conflict fits on top of all these themes as we all eternally try to stay on top of what’s moving in the world.

Personal Archive Prompts

what would you practice if nobody would ever know whether it succeeded or failed?

What ruler are you using to measure your creative or personal work, and who decided that was the right measurement?

IF YOU COULD BUILD COMMUNITY ON PURPOSE, WHERE WOULD YOU START?

What skills from a previous chapter of your life have you dismissed as "not relevant" to where you're heading now?

what would you keep doing even if nobody was watching, even if it never made you famous?

Get clear on what you're using (social media vs. social medium) and why - then ask yourself if you're expecting the right outcome from each.

When was the last time you chose to be honest instead of impressive in a professional situation?

As always, I did my part, now it's your turn to write some reflections in your own Personal Archive.

(then, be sure to let me know where you're keeping it, I'm in search of the others too)

ps. Claude helped me organize and synthesize these thoughts from the week's posts. If you are curious how I use AI, read this post: Did AI Do That: Personal Rules

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